Summer Writing

Dear Ones,

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I’m recently back from teaching in beautiful and warm Squaw Valley. I was lucky to be invited to participate in the Community of Writers where I led workshops, listened to terrific and insightful panels and talks, learned and laughed with a lot of talented smarties. My students put up manuscripts with stakes, heart, humor and pain. Yup. Pain at the center. Pain, the common denominator. Pain, the unifier. They read each other’s pages with generosity and careful intensity. There’s a beautiful alchemy that occurs when twelve people sit around a table, talking about writing, sharing their inner lives. Everyone has the right to be a little nervous. Everyone has the right to wonder, and to feel heard. Everyone has the right to use their voice, their humor, the details from their world that crack open the doors to all our resilient hearts.

 

 

A value add from being with so many writers? A new to be read list:

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Some quotes from the week:

“Laughter is a carbonated form of holiness.” –Anne Lamott

“Make them laugh and break their fucking hearts.” –Matt Sumell

“Reading is experiential. The writing shouldn’t have to write toward a point.” –Sarah Shun-lien Bynum

“Where is the juice? How much pressure did you put on the character to illicit vitality and emotion?” –Elizabeth Tallent

“Perfection sucks.” –Elizabeth Tallent

“Weather is not a decoration. Your story must earn the weather.” –Ron Carlson

“Write towards the moment you can no longer touch the bottom.” –Ron Carlson

 

I’m grateful to have participated and happy that it’s nearly autumn and I’ll be sitting around more tables with more writers.

happy writing, happy reading!

 

Big Love,

xN

Dinner & A Story

 

 

STORY:

 

I always tell my writing students to make a bold entrance with their stories, capture the reader’s attention, invite curiosity. Consider the first line from “Love Is Not A Pie,” this month’s story by Amy Bloom,  from her collection, Come To Me.

In the middle of the eulogy at my mother’s boring and heartbreaking funeral, I began to think about calling off the wedding.

 

Bang! I’m in. Funeral and wedding, boring and heartbreaking, this is a narrator with a story I want to hear. Bloom moves us from the funeral to the house for the mourners to gather and then back in time to an idyllic summer at this family’s lakeside cabin in Maine. She captures the easy elegance of the lost mother, the heart of this family, who’s summer outfit is a black swimsuit, who makes sangria on rainy days and has three simple rules of summer: “Don’t eat food with mold or insects on it; don’t swim alone; don’t even think of waking your mother before 8:00 A.M. unless you are fatally injured or ill.”

 

The vacation unfurls with lake swims and romps in the woods, family friends come to stay, Mr. DeCuervo and his daughter, who blend with the family beautifully. Billie Holiday, Sam Cooke and Aretha Franklin play on the stereo, and the narrator, Ellen, notices something different about the relationships between the three grownups. When everyone dances together in the living room, her mother and father dance goofily, but between Mr. DeCuervo and her mother there is intimacy and beauty in their movements. Later, Ellen, catches her mother embracing Mr. DeCuervo in the night, her hand beneath his white t-shirt, and she is curious, uncertain. Before the summer’s end, the daughter glimpses something in her parent’s bedroom and again, doesn’t quite know what to make of the adult’s behavior. Time moves seamlessly forward, back to the mourners where Ellen and her sister discuss that summer at the cabin, their mother’s slow demise, and her relationship with the two men. As much as I want to talk about this with you, to say more…I’m holding back.  All you need to know is that this story explores the huge capacity of our hearts.

 

When the mother is dying, she has a conversation with her daughter Lizzie, who wonders about Mr. DeCuervo.  The mother says, “Love is not a pie, honey.” She goes on to explain that she loves people differently, her two men, her two daughters.  “And when the two of them are in the same room together and you two girls are with us, I know that I am living in a state of grace.”  After you’ve read, “Love Is Not A Pie,” and PLEASE, do yourself a favor and read this beautiful story, talk to me in the comments below.

 

DINNER:

 

How to match the grace of this mother and the big heart of this story? With a galette of course, almost a pie, but more forgiving, more generous. It comes to the table with its free form elegance, the tender crust offering homey comfort for the sweet and savory. I was delighted to find two wonderful galette recipes in the New York Times and I made them both with a few modifications.

 

For the Summer Vegetable Galette, I replaced the white flour with buckwheat flour with terrific results. I used all the vegetables they recommended in the recipe, though you could easily switch things around as the seasons change.  I imagine a very delicious Autumn Vegetable Galette with butternut squash and chantrelles and a sprinkle of blue cheese.

 

 

 

Peaches, nectarines and chester berries filled my Fruit Galette. I omitted the sugar, replaced the cream with maple syrup, used whole wheat pastry flour in place of white. And, I substituted 1/3 cup of the flour with 1/3 cup of ground walnuts. Delicious!

 

 

 

 

All you need to complete the meal, lightly dressed salad greens, and someone you love. (It helps if the someone you love, loves to eat and lets you know it!) In honor of Lila, the mother in the story, I’d suggest serving Sangria.  Happy reading, happy eating and happy end of summer.

Dinner & A Story

STORY:

 

This month’s story is from the wonderful Maile Meloy.  I’ve been a fan of her stories since I stumbled upon her terrific collection, Both Ways Is The Only Way I Want It.  When I opened up my June 23rd New Yorker I was thrilled to see a story from Ms. Meloy.

 

 

Madame Lazarus” is the story of a heavily loaded gift between lovers.  A newly    retired   French gentleman receives the gift of a small dog from his partner.  At first the narrator resists the sweet terrier, Cordelia, as he rightfully recognizes her as a first step in his lover’s retreat.

 

(It is funny how a gesture, like the gift of a puppy, can foretell the end of a relationship.  When I was young and unhappy in my first marriage, planning on leaving but not certain how to go about it, I learned how to tune up my car, change the spark plugs, etc…  I remember one afternoon, I was washing and vacuuming my Volvo 122s and my husband looked out the window and said, “Your leaving me.” He was right.)  

 

 

As any dog-loving person would suspect, our French gentleman comes to adore his dog.  When he walks Cordelia around Paris he finds that people who might have ignored him before now speak to him.   He says of Cordelia, “At first I believed that the appearance of love from a dog is only a strategy, to win protection.  Cordelia chose me because I was the one to feed her and to chase away the hawks and the wolves.  But after a time we crossed over a line, Cordelia and I.  We went out each day to chase the pigeons and smell the piss of other dogs on the trees, and we came home to read the paper.”  The story follows the unraveling relationship of the narrator and his lover, the grip Cordelia gains on the narrator’s heart, and the way in which the man and dog age together.